Highly recommended as a fleabag joint, this hole-in-the-wall offers a full swing orchestra and a torch singer with a dream.
Table service for sandwiches and cocktails.
This segment of the Lonely Street Bar Noir Pub Crawl is remarkably brief as there is only one real stop along the crawl. The sign is never fully revealed but it looks like it begins with a and has a P and a T and maybe a J in its name. The only discernable word is Cocktails. (NOTE: I went back to look at the scene again and discovered the bar name is The Dolphin. I'm not sure that helps.)
The movie opens in this hole-in-the-wall on some backstreet in Los Angeles. A young woman sits at the bar having a cigarette and a cocktail. It's an odd time in American bar culture. Is she a teen or is she that as of yet unidentified demographic of 'young adult' in those grey years of 18-20? And if she's younger, why is she sitting at the bar knocking back the hooch in the company of guys one street north of Skid Row?
AND NOW THE STORY
A team of recalcitrant teens lures unsuspecting men to mug them. When the latest robbery goes awry, a rough-edged teen and an innocent girl who thought she was out on a double date get arrested and sent to Juvenile Hall. From there, the boyfriend of the troubled teen plots a breakout. The majority of the movie takes place on a dairy farm until the climactic conclusion at Griffith Observatory.
Molly McCart plays the siren to George Cisar's lecherous older man in the opening sequence at the Dolphin. Cisar was known for his many roles on shows like Hogan's Heroes, The Andy Griffith Show, and That Girl to name a few. McCart would go on to play a similar delinquent teen in the 1957 film, Dino, written by Reginald Rose, who penned Twelve Angry Men. I had the opportunity many years ago to direct a stage version of Dino but wound up choosing Dark of the Moon. I did get to direct another Rose play, The Death and Life of Larry Benson, first seen on Studio One in 1948. I directed it in 1989. The play appears to have been the forerunner of The Return of Martin Guerre (1982), or as it is known in America from the remake, Sommersby, aka The Return of Richard Gere (1993).
That's it for the latest stop along the Lonely Street Bar Noir Pub Crawl. What follows are images of the production crew. Until we meet up again, be sure to settle your tab.
This week the Lonely Street Bar Noir Pub Crawl travels back to 1936 and visits the fun places of BULLETS OR BALLOTS, a post-Prohibition era film on the rise of corruption, racketeering, and murder. It's a short trip, but a fun one.
The crawl begins at the upscale Lee Morgan's. Entertainment awaits the well-to-do partygencia. Club owner Lee Morgan meets each night with her talented performers to go over the show and fire them up.
Morgan also mingles with the local police detectives that don't care for ex-cons crashing the party.
Modest decor, four-top tables are readily available. A well-stocked bar awaits the customers. Sometimes it even stays open after hours.
Speaking of after-hours places, sometimes it's a gas to move the party to somewhere private, like the den of the local bank president. Black tie preferred, but if you know someone, you'll be welcome.
Need a place to catch up on old times? Sometimes the out of the way watering hole is the right kind of place to meet.
Getting the munchies? The go-to place is Jerry's Place. Italian and American meals fill the menu. Simple, quiet decor. Tables for four or more. A well-stocked wine bar offers a variety of Italian vintages.
AND NOW THE STORY:
After a crusading, anti-vice newspaper editor is gunned down, a detective goes undercover to infiltrate the mob.
William Keighly directs the script penned by Seton I. Miller and Martin Mooney. BULLETS OR BALLOTS stars Barton MacLane, Joan Blondell, Edward G. Robinson, and Humphrey Bogart. It also features strong performances by Frank McHugh and Louise Beavers.
All in all, 4 vices out of 5.
Until next we crawl, be sure to settle your tab!
The unfortunate reality of the next stop along the Lonely Street Bar Noir Pub Crawl is that while there are several establishments to visit, none of them are named. They do seem quite popular. As long as we know the watering holes are there, we might as well visit.
Stop #1: The Six Martini Bar
It's Christmas Eve. What better way to spend it than explaining to the bar backs the proper shaking of a martini is to a waltz.
The heart of the city partygencia crowds this popular club. Why not? A full orchestra plays the latest dance music for everyone to enjoy. A wall of stemware, martini glasses, and tumblers awaits anyone who bellys up to the bar. The liquor appears to be in a secure location- Volstead has only recently been repealed, after all.
Tables provide a respite from the jam-packed dance floor. Waitstaff is prepared to serve the Fve Martini Flight: The person you're meeting is on the sixth drink of the night so you might as well catch up.
Stop #2: A Hide Away
Have some personal business to attend to? This place has plenty of spots you and your 'friend' can feel alone. Beer by the goblet is a staple at this place. Ashtrays are complimentary.
Stop #3: Schultzie's; or, the Dancing Girls Lounge
Come on in any time of the day. You might catch a glimpse of the dancing girls practicing for that night's revue. Also, it's a good location to discuss business of any nature.
Stop #4: A Catered Affair
Some of the more popular places for the posh to gather is right in their own home. The Normandie Hotel is one of the more frequented places of the party-crawlers. New Year's Eve, dinner parties, nightcaps. Sometimes the party is simply where you take it.
Stop #5: The Trans-Continental Train
And since you're moving your party from place to place, why not make your party mobile by taking a train to San Francisco! The club car is open late. Casual attire is preferred. Booths invite quiet conversations with friends and/or clients.
Afterward, sleep it off in a comfortable berth car. Pets welcomed, although it's hard to see the dog in the top bunk.
Side Trip: Henry's Pipe Shop
Finally, a place with a name. In case you need to feed that monkey on your back with another vice, Henry'sPipe Shop is on hand to offer you assistance.
AND NOW THE STORY
An elderly millionaire inventor disappears after accusing his younger girlfriend of stealing thousands of dollars worth of bonds from him. The inventor's daughter pleads with a former private detective to find her missing father. Embezzlement, kidnapping, and murder ensue.
The Thin Man was directed by W.S. Van Dyke. Albert Hackett and Frances Goodrich adapted the script from the Dashiell Hammett novel of the same name. William Powell and Myrna Loy, both truly great as Nick and Nora Charles, are in total command of their characters. Nat Pendelton gives a solid performance as the just-not-as-sharp-as-Nick police lieutenant. Maureen O'Sullivan is the concerned daughter with Henry Wadsworth as her fiance'. Premiering in 1934, it's a couple of decades from the angst and grit and fashion of the golden age for film noir.
Powell, Van Dyke, and the writing duo of Hackett and Goodrich received well-deserved Oscar nominations.
The Lonely Street Bar Noir Pub Crawl has come to a close for the week. Until the next trip, be sure to settle your tab!
This week the Lonely Street Bar Noir Pub Crawl visits the party spots of the 1945 film, Detour! A favorite of Noir Alley, Detour offers seve...